Deicide's "Banished By Sin" & More: News & Controversy
Is the face of death metal truly morphing before our eyes? Deicide, the Florida-born purveyors of blasphemy and sonic brutality, are back with Banished by Sin, and the world is watching, listening, and, as usual, arguing about it.
Since their inception in 1990, Deicide, led by the indomitable Glen Benton, has consistently delivered a brand of death metal that is as controversial as it is compelling. With twelve studio albums, one live album, two compilation albums, and two live DVDs under their belt, they've carved a distinct niche in the extreme metal landscape. Their new offering, Banished by Sin, slated for release on April 26th, 2024, is no exception to their established pattern of provocative statements.
However, the lead-up to the album's release hasn't been without its own set of controversies. Back in February, when the album was first announced, Deicide was met with a wave of criticism concerning the cover art, which was reportedly created using artificial intelligence. This sparked a debate across social media, and within the music press. When asked about the backlash, Benton's response was, as expected, unapologetic. He simply stated that he doesn't care what people think, a sentiment that has become a trademark of the band's approach to public perception.
| Category | Details |
|---|---|
| Band Name | Deicide |
| Genre | Death Metal |
| Origin | Florida, USA |
| Active Years | 1987 Present |
| Current Line-up | Glen Benton (vocals, bass), Steve Asheim (drums), Kevin Quirion (guitars), Taylor Nordberg (guitars) |
| Notable Albums | Deicide (1990), Legion (1992), Once Upon the Cross (1995), The Stench of Redemption (2006), Overtures of Blasphemy (2018), Banished by Sin (2024) |
| Key Characteristics | Blasphemous and satanic lyrics, complex and technical instrumentation, aggressive vocals |
| Controversies | Lyrical content, album art, live performances |
| Associated Acts | Amon (early name), Vital Remains |
| Website | Deicide Official Website |
The band's history is peppered with similar instances of defiance and a commitment to artistic expression, regardless of external pressures. The band's unapologetic approach to its music, its lyrics, and, now, its visuals, has cemented their position in the metal scene.
The new album, Banished by Sin, will be a 12-track record. The band has also released a single, "Sever the Tongue," which offers a taste of what's to come. The band is no stranger to controversy. It is clear that Deicide has not lost its edge.
It's worth noting the meticulous craftsmanship that goes into a Deicide album. From the recording sessions at Smoke & Mirrors in Spring Hill, Florida, USA, to the mastering process at The Hit Factory DMS in New York, NY, the band ensures a high level of quality in every facet of their production. The engineering and production work underscores the band's commitment to the artistic process.
The cover artwork, while generating debate, is based on Australian artist Simon Cowell's painting "Power of the Mind." It is easy to see why this image was chosen to represent the music. It provides a fitting visual component to the auditory experience.
The album covers have long been interpreted as the face of a musician's intent, which is just part of the reason we extol the best of the best in our monsters of ink series. Plenty of those covers have frequently been subject to surgery from nervous record companies and big box retailers.
The death metal legends Deicide mark their return with their new album 'Banished by Sin', out April 26, 2024. The album cover of Deicide's new album has sparked debate. The cover artwork, created using AI, prompted reactions on social media.
The band's debut album was released in 1990. The band has released twelve studio albums, one live album, two compilation albums, and two live DVDs. The "Stench of Redemption" is the eighth studio album by Florida death metal band Deicide. It is the first album by the band to feature Jack Owen and Ralph Santolla. Some editions of the album include a cover of Black Night by Deep Purple, with rewritten lyrics by Glen Benton.
The impact of albums like Legion, with its iconic imagery, is undeniable. The cover art and imagery are very important to the band. The band has put together some striking visuals for their releases. Bentons vision has been a driving force. And, now, the band is using new technology. The use of AI reflects a desire to evolve and explore new artistic territories.
The uncanny resemblance between their album covers, is noticeable. The cover art choices and the aesthetic of the band is very unique. The bands aesthetic is a key part of the overall identity.
Kerry King's debut solo album, From Hell I Rise, is slated for release on May 17th, while rumors suggest that Deicides forthcoming LP will hit shelves on April 26th. Deicide's new album Banished by Sin has been creating buzz.
As the industry evolves, so does the approach to album art. It's a more modern version, as Benton has stated. It is a visual representation of the sound. It's a statement of intent and artistic direction.
As the music industry shifts and technology evolves, the band is embracing new approaches. The band is known for its extreme sound, its lyrical content, and for its commitment to its artistic vision.
The choice of using AI in the album's creation indicates a willingness to explore unconventional methods, and a willingness to stay relevant in a rapidly changing creative landscape.
The discography of the American death metal band Deicide is an important aspect of metal. Their contributions to the metal world cannot be overstated. Their commitment to creating music that challenges norms and provokes thought, is very strong.
The music scene is constantly evolving. The use of AI is a sign of the times. And it is clear that Deicide is still pushing the boundaries.
![Deicide [1997] Serpents Of The Light [320]](https://i.pinimg.com/originals/d7/6f/c1/d76fc1d0037ad826a4ab8aa9c1c81510.jpg)
